Monthly Archives: May 2017

Awards

Prix Imaginales — Les Lauréats 2017

Créé en mai 2002 à l’initiative de la Ville d’Epinal, le Prix Imaginales est le premier prix exclusivement consacré à la fantasy en France.

Il récompense à la fois des écrivains, des illustrateurs, des essayistes ou des traducteurs.

Un jury composé de journalistes, de critiques et de spécialistes départage les meilleures œuvres de fantasy dans six catégories.

  • Roman francophone
  • Roman étranger (traduit)
  • Illustration
  • Jeunesse
  • Nouvelle
  • Prix spécial

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Les six lauréats reçoivent un prix doté.

L’annonce des prix se fait début mai, afin de pouvoir, dans la mesure du possible, accueillir les auteurs récompensés aux Imaginales à Epinal.

Jury 2017

  • Jacques GRASSER (Président)
  • Jean-Claude VANTROYEN (Vice-président)
  • Annaïg HOUESNARD (Secrétaire)
  • Stéphane WIESER (Directeur du Festival)
  • Christophe de JERPHANION
  • Natacha VAS-DEYRES
  • Frédérique ROUSSEL

Les Lauréats 2017

  • Catégorie roman francophone : Anthelme HAUCHECORNE, Journal d’un marchand de rêves (L’Atelier Mosésu)
  • Catégorie roman étranger traduit : Anna STAROBINETS, Refuge 3/9 (Agullo), traduction de Raphaëlle Pache
  • Catégorie jeunesse : Fabien CLAVEL, Panique dans la mythologie : l’Odyssée d’Hugo (Rageot)
  • Catégorie illustration : Aurélien POLICE, pour les couvertures de la trilogie La Voie des oracles, de Estelle Faye (Scrinéo)
  • Catégorie nouvelle : Jean-Claude DUNYACH, Le Clin d’œil du héron (L’Atalante)
  • Catégorie prix spécial du jury : Tom SHIPPEY, J.R.R Tolkien, auteur du siècle (Bragelonne), traduction de Aurélie Brémont.

Reading

Where the Deep Ones Are

HP Lovecraft’s story, The Shadow Over Innsmouth, retold in a parody of Where the Wild Things Are.

“The Deep Ones croaked their terrible croaks and smacked their terrible lips and rolled their terrible eyes and waved their terrible flippers” Renowned Mythos aficionado Ken Hite retells H P Lovecraft’s “The Shadow Over Innsmouth” in this parody of classic children’s literature.

After greedily yelling for more fish, young Bobby is sent to his bedroom without any supper at all. But Bobby escapes when the Manuxet River runs right through his room, carrying an old boat that takes him to a magical town full of fish and slimier things … the town of Innsmouth. Will Bobby join the wild rumpus under the sea, and be crowned the most Deep One of all?
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Where the Deep Ones Are features 32 pages of full-color illustration by Andy Hopp, and is sure to be a hit with the newest generation of Lovecraft fans and their parents. The first in the Mini Mythos series.

https://www.youtube.com/watch?v=Xnyp8el0OZM&feature=em-subs_digest

Movies

Trailer for Star Trek: Discovery

The first rule of Star Trek: Discovery is —  Don’t ask when it’s going to air….

Before Kirk, Spock and the Enterprise there was Discovery. Now, one of the most iconic and influential global franchises returns to television with Star Trek: Discovery.

https://www.youtube.com/watch?v=2qt4vquGz_A

And the second rule is Don’t try to figure out the time line–it will warp your brains.

Article below is snitched from: http://www.haibane.info/2017/05/18/star-trek-discovery-first-trailer/

OK, I understand the idea behind the visual redesign. It’s 2017, not 1967. And the showrunners opted for Prime universe rather than Kelvin to preserve creative independence from whatever the movie franchise is doing. They do, however, want to appeal to the audience that the new movies in the Kelvinverse have recruited. Therefore: lens flares and Apple Stores.

Klingonbar640
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But really, hairless Klingons? With a H.R. Geiger armor aesthetic?

It’s not like we haven’t seen the 60’s aesthetic embraced by modern television. Deep Space Nine went there and did it brilliantly – they arguably made the TOS USS Enterprise look even more gorgeous than any of her successors, and they didn’t change anything about her at all – just lighting and texture. Enterprise itself managed to authentically portray a pre-Kirk technology chic that had a more industrial feel, which was utterly believable as the ancestor to the softened look of the Kirk era. I do not accept that the Kelvinization of the Prime timeline was necessary to modernize the production. After all, the aesthetic of The Expanse and Dark Matter is thoroughly modern but doesn’t have the same Kelvin fascination with chrome and glass. Not that I want any Trek to go the grunge-fi look, but I do at least want Trek to honor it’s own identity. This feels like a rejection – purely a Han shot first decision.

Unless directly contradicted on screen, I think that my own headcanon about First Contact creating Enterprise can be amended here to argue that Discovery is in a Beta timeline. The Prime timeline was TOS/TNH/VOY/DS9, but the events of First Contact created the Beta timeline, and the Kelvinverse is an alternate reality branching from the Beta timeline.

Some may dismiss all this timeline canon angst as pointless, but since time travel and timelines are literally a backbone plot of the Star Trek universe, this is a legitimate area of fan analysis.

Related – great discussion threads at /r/DaystromInstitute that disagree with my headcanon First Contact created the alternate (Beta) timeline and a discussion of whether Enterprise is in Prime or not.

 

Science and technology

New driverless bus hits congested streets of downtown Montreal

From the Montreal Gazette, May 17

Montrealers got a glimpse of the future in public transportation with free demo rides aboard a driverless shuttle bus.

The “autonomous driverless electric” shuttle bus operated in a closed circuit next to the Palais des Congrès, where the 2017 Montreal Global Public Transport Summit  runs until May 17.

Passengers were given a short ride around a public square (Place Jean-Paul Riopelle) aboard the Navya shuttle, which followed a pre-determined, mapped-out route via GPS.

View video

Most passengers seemed to like the electric shuttle’s smooth ride.

“It’s incredible,” said Leonardo Secondi, who enjoyed his short spin. “It’s super-smooth. It can detect if anything comes at it from 100 metres away, then it will come to a dead stop.”

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“It is state-of-the-art,” he said Secondi, adding that such driverless shuttles are the future.

READ MORE

Movies

War for the Planet of the Apes Final Trailer

War for the Planet of the Apes Final Trailer

Coming to theatres July 14

In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

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Movies

Disney’s Pirates of the Caribbean: Dead Men Tell No Tales

Winners Announced!

Congratulation to Steven, Yves, Isis, Keith who each won a double pass to the advance screening of Disney’s Pirates of the Caribbean: Dead Men Tell No Tales. Watch for an email from MonSFFA with your code to download your passes.

©2017 Disney

 

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In theatres May 26, 2017

http://www.imdb.com/title/tt1790809/

 

Reading, Recommended Reading Lists

2017 Locus Award Finalists

Shamelessly snitched from File 770.

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The Locus Science Fiction Foundation has announced the finalists for the 2017 Locus Awards.

The awards will be presented at Locus Awards Weekend in Seattle, June 23-25.

SCIENCE FICTION NOVEL

  • Company Town, Madeline Ashby (Tor)
  • The Medusa Chronicles, Stephen Baxter & Alastair Reynolds (Gollancz; Saga)
  • Take Back the Sky, Greg Bear (Orbit US; Orbit UK)
  • Visitor, C.J. Cherryh (DAW)
  • Babylon’s Ashes, James S.A. Corey (Orbit US; Orbit UK)
  • Death’s End, Cixin Liu (Tor; Head of Zeus)
  • After Atlas, Emma Newman (Roc)
  • Central Station, Lavie Tidhar (Tachyon)
  • The Underground Railroad, Colson Whitehead (Doubleday; Fleet)
  • Last Year, Robert Charles Wilson (Tor)

FANTASY NOVEL

  • All the Birds in the Sky, Charlie Jane Anders (Tor; Titan)
  • Summerlong, Peter S. Beagle (Tachyon)
  • City of Blades, Robert Jackson Bennett (Broadway)
  • The Obelisk Gate, N.K. Jemisin (Orbit US; Orbit UK)
  • Children of Earth and Sky, Guy Gavriel Kay (NAL; Viking Canada; Hodder & Stoughton)
  • The Wall of Storms, Ken Liu (Saga; Head of Zeus)
  • The Last Days of New Paris, China Miéville (Del Rey; Picador)
  • The Winged Histories, Sofia Samatar (Small Beer)
  • The Nightmare Stacks, Charles Stross (Ace; Orbit UK)
  • Necessity, Jo Walton (Tor)

HORROR NOVEL

  • The Brotherhood of the Wheel, R.S. Belcher (Tor)
  • Fellside, M.R. Carey (Orbit US; Orbit UK)
  • The Fireman, Joe Hill (Morrow)
  • Mongrels, Stephen Graham Jones (Morrow)
  • The Fisherman, John Langan (Word Horde)
  • Certain Dark Things, Silvia Moreno-Garcia (Dunne)
  • HEX, Thomas Olde Heuvelt (Tor; Hodder & Stoughton)
  • The Family Plot, Cherie Priest (Tor)
  • Lovecraft Country, Matt Ruff (Harper)
  • Disappearance at Devil’s Rock, Paul Tremblay (Morrow)

YOUNG ADULT BOOK

  • Crooked Kingdom, Leigh Bardugo (Holt)
  • The Girl Who Drank the Moon, Kelly Barnhill (Algonquin)
  • Lois Lane: Double Down, Gwenda Bond (Switch)
  • Truthwitch, Susan Dennard (Tor Teen; Tor UK)
  • Poisoned Blade, Kate Elliott (Little, Brown)
  • Burning Midnight, Will McIntosh (Delacorte; Macmillan)
  • Goldenhand, Garth Nix (Harper; Allen & Unwin; Hot Key)
  • Revenger, Alastair Reynolds (Gollancz; Orbit US ’17)
  • This Savage Song, Victoria Schwab (Titan; Greenwillow)
  • The Evil Wizard Smallbone, Delia Sherman (Candlewick)

FIRST NOVEL

  • The Reader, Traci Chee (Putnam)
  • Waypoint Kangaroo, Curtis Chen (Dunne)
  • The Star-Touched Queen, Roshani Chokshi (St. Martin’s)
  • The Girl from Everywhere, Heidi Heilig (Greenwillow; Hot Key)
  • Roses and Rot, Kat Howard (Saga)
  • Ninefox Gambit, Yoon Ha Lee (Solaris US; Solaris UK)
  • Arabella of Mars, David D. Levine (Tor)
  • Infomocracy, Malka Older (Tor.com Publishing)
  • Everfair, Nisi Shawl (Tor)
  • Vigil, Angela Slatter (Jo Fletcher

Continue reading 2017 Locus Award Finalists →

Fanzines

More Zines to Share!

We have received more ‘zines to share.

CyberCozen is edited by Leybl Botwinik with whom MonSFFA has a cyber connection–we’ve been trading content as well as zines. CyberCozin has been around since 1989!

In this issue: 

  • Celebrating 40 years of Voyager
  •  Follow-up: Marvel Movies and TV Shows – What to Watch (and what NOT to)
  •  Some interesting items picked up from the Web (PCMag, CNET, and elsewhere)
  •  About the ‘best’ Alien invasion films
  •  The Holocaust and SF – Part II
  • Sheer Science section by Dr. Doron Calo: AI Pros and Cons

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Vibrator 39 is edited by Graham Charnock. Annoyingly, no ToC, but he writes:

Paedopholia, Murder, Taxi Driving – read all about it in the Sensational latest issue of Vibrator!!! 

The Murder story is non-fiction, rather scary because it is non-fiction, and reminds me of an episode of Murdoch. Very intelligent students who murder because they can.

An interesting LoC from Greg Benford who explains how he solved the “too many books” problem:

But I solved this while still acquiring many 100s books/year: buy a condo, then two, then a storage facility. So have homes in Irvine, Laguna Beach, & Mammoth in high Sierra. Full of books, but can still walk around in them. Or go to the storage place, the size of a garage.

 


Field Trip, MonSFFA special event

MonSFFA Field Trip Sunday

MonSFFA Field Trip is this Sunday

Mark Sunday, May 14, on your calendars, for with the Who’s familiar guitar riff ringing in our ears, we’re headed to the Montreal Science Centre at the Old Port to take in CSI: The Experience!

Based on the popular, long-running American television franchise, this “interactive learning adventure,” so described, will allow us to play forensic detective as we investigate a “crime scene,” collecting and analyzing “blood splatter, DNA,” and other evidence in order to solve a case of criminal nefariousness!

We’ll meet no later than 12:30PM in front of the ticket booth in the Science Centre’s lobby. Our plan is to have everyone purchase tickets for a 1:00PM or 1:15PM entry, so that we may all access the exhibit area at the same time.

So don’t be late!

MonSFFen will be responsible for their own admission. Adult admittance is listed at $23, with discounts available for children and seniors. A family rate is also offered, and we are given to understand that Canadian residents will benefit from a further rebate as part of the cross-country celebrations of Canada’s 150th birthday this year!

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The Montreal Science Centre is located on the King Edward Pier, Old Port of Montreal—that’s at the intersection of St-Laurent Boulevard and de la Commune Street, an approximately 10- to 15-minute walk from either the Place d’Armes or Champs-de-Mars Metro stations.

Street parking is available in the area for those travelling by car, but we caution that it can be difficult to find a spot. Alternately, paid parking is available in a lot adjacent the Science Centre (access via King Edward Pier entrance).

This outing will take place in lieu of a club meeting this month. Note that our next MonSFFA meeting is scheduled for June 4.

Visit the Science Centre’s Web site for more information on CSI: The Experience: www.montrealsciencecentre.com

News items

If you’ve got 10 K USD kicking around…

From File 770

Visit the edge of space with Captain Kirk. Space.com tells how — “‘Star Trek’ Icon William Shatner to Take Zero-G Flight in August”.

This August, William Shatner will get closer to the final frontier than he ever did in his “Star Trek” days.

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“Going weightless will turn a dream into reality,” Shatner said in a statement. “I’ve always wondered what it would be like to actually explore the final frontier, and now I have the opportunity to experience zero gravity firsthand. It will be an incredible adventure.”

You have a chance to share this adventure with Shatner, if you wish: Zero-G is selling a limited number of tickets aboard the actor’s flight for $9,950 apiece, plus 5 percent tax. (For perspective: a seat aboard a normal Zero-G flight runs $4,950, plus 5 percent tax.) Go to Zero-G’s website if you’re interested.