Be sure to mark the night of Jan 20/21 on your calendars.This total lunar eclipse will be visible across all of Canada.
Don’t make the mistake of thinking the eclipse will be on the 21st–while technically true, it actually starts on the night of the 20th. The tricky bit is that the moon is full at about a quarter past midnight, which is why calendars show the full moon as being on the 21st.
It will begin at 9:37 pm EST, peaking at mid-totality at 12:13 EST on the 21st. The Moon will be out of the penumbra at 2:48 am. There will be 62 minutes of totality. Even better, if you possess a pair of binoculars, you will see M44, the Beehive Cluster of stars just 6 degrees to the west of the moon.
I’ve read that most Canadians will not see another total lunar eclipse until 2022, and I don’t know if that includes us or not, so don’t miss it!
LIVE stream of the total lunar eclipse in January 2019 from several locations. Watch the Moon gradually turn red with live commentary by astrophysicist Graham Jones.
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Elon Musk’s rocket design is being mocked for looking like TinTin’s rocket, but according to Musk this similarity is deliberate.
“If in doubt,” Musk added. “Go with Tintin.”
The new design of the “Big Falcon Rocket” is now being called a “Spaceship Hopper” and is not intended to actually go orbital.
“This is for suborbital VTOL (vertical take-off and landing) tests,” Musk tweeted. “Orbital version is taller, has thicker skins (won’t wrinkle) & a smoothly curving nose section.”
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Snitched from the Telegraph:
It may look like something straight out of Buck Rogers in the 25th Century or Tintin’s Destination Moon but, according to Elon Musk, the pictures he tweeted of his latest SpaceX creation are very much real.
Musk, the CEO of SpaceX and electric car-maker Tesla, revealed that assembly of the ‘Starship Hopper’ test-flight rocket was complete and that the pictures of the shimmering, stainless steel construction were ‘not a rendering’.
The Tintin comparison is not an accident. In September of last year, SpaceX revealed the new design of the ‘Big Falcon Rocket’, now simply know as ‘Starship’, saying “I love the Tintin rocket design, so I kind of wanted to bias it towards that.”
“If in doubt,” Musk added. “Go with Tintin.”
True to his word, the 120-foot-tall hopper is a tubular, pointy-topped rocket with three rear ‘fins’ that serve as landing pads. It is an important building block of the controversial entrepreneur’s grand plan to land on and eventually colonise Mars, but this version of the Starship Hopper is not yet ready for space flight.
“This is for suborbital VTOL (vertical take-off and landing) tests,” Musk tweeted. “Orbital version is taller, has thicker skins (won’t wrinkle) & a smoothly curving nose section.”
Of particular interest is Ruth E. Carter’s career achievement award. She worked on Black Panther.
Ruth E. Carter (born April 10, 1960) is an Americancostume designer, for film and television, with over 40 films to her credit, who has mastered the look of multiple periods and genres in envisioning the clothing and overall appearance of a character or performer.[1] During her near 30 year film career, Carter has earned two nominations for an Academy Award for Best Costume Design for her work on the films Malcolm X (1992) directed by Spike Lee, and Amistad (1997) directed by Steven Spielberg.
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The Costume Designers Guild announced its 2019 awards nominees in film and television categories. Winners will be revealed at the 21st annual Costume Designers Guild Awards on February 19.
The full slate of nominees is at Variety. Those of genre interest are listed below:
Excellence in Period Film
“Mary Poppins Returns” (Sandy Powell)
Excellence in Sci-Fi/Fantasy Film
“Aquaman” (Kym Barrett)
“Avengers: Infinity War” (Judianna Makovsky)
“Black Panther” (Ruth E. Carter)
“The Nutcracker and the Four Realms” (Jenny Beavan)
“A Wrinkle in Time” (Paco Delgado)
Excellence in Period Television
“The Alienist” (Michael Kaplan)
“The Man in the High Castle” (Catherine Adair)
“Outlander” (Nina Ayres & Terry Dresbach)
Excellence in Sci-Fi/Fantasy Television
“American Horror Story: Apocalypse” (Paula Bradley & Lou Eyrich)
“The Handmaid’s Tale” (Ane Crabtree)
“Lemony Snicket’s A Series of Unfortunate Events” (Cynthia Summers)
“Star Trek: Discovery” (Gersha Phillips)
“Westworld” (Sharen Davis)
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SF&F In Print & On Screen, Monday, 7 January 2019
Guardians of the Galaxy actor Dave Bautista has signed on to Denis Villeneuve’s two-part movie adaptation of Frank Herbert’s seminal novel Dune.
Bautista will be playing the role of the Beast Rabban, the nephew of Baron Vladimir Harkonnen, the story’s primary villain. Rabban is a brutal, sadistic murderer who is placed in charge of spice mining operations on the planet Arrakis by his uncle, resulting in a reign of terror that helps spur an uprising by the natives.
The film marks Bautista’s second project with Villeneuve, having previously played the small but memorable role of Sapper Morton in Blade Runner 2049. It also marks Bautista’s latest foray into genre fiction, having previously starred in films such as The Scorpion King 3 and Riddick.
W. Morgan Sheppard has passed away. His credits include an amazing number of genre appearances in TV, movies, and was also a voice actor for games and animated shows.
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William Morgan Sheppard (24 August 1932 – 6 January 2019)[1][2] also known as Morgan Sheppard or W. Morgan Sheppard, was a British actor and voice actor.
Sheppard appeared in two roles on the science-fiction series Babylon 5—in the episode “Soul Hunter” playing the eponymous character and also played Narn war leader G’Sten, an uncle of main character G’Kar, in “The Long Twilight Struggle”. He was also a runner-up for the role of Ambassador G’Kar on the series, though the role eventually went to Andreas Katsulas.
Sheppard was one of several Star Trek actors who voiced characters on the animated series Gargoyles—he played the father of Jonathan Frakes‘ character David Xanatos and the Norse god Odin.
Sheppard and his son, Mark Sheppard, acted together in a few productions. Sheppard appeared in the television series NCIS, in the season-six episode “Broken Bird”, where he played the older version of a man named Marcin Jerek, while his son played the younger version.[3] He appeared in the opening episode of series six of Doctor Who, “The Impossible Astronaut“, playing the character Canton Everett Delaware III. He portrays an older version of Delaware, while his son portrays the younger version in the same episode. He and his son are among the few actors who have appeared in both the Star Trek and Doctor Who franchises.
Sheppard voiced several characters in video games. He narrated the introductions and mission briefings for the first four installments of the Medal of Honor video-game series. He was cast in the 1996 adventure game Zork Nemesis, playing the live-action role of Bishop Francois Malveaux, one of the four alchemists central to the plot of the game. In 2000, he voiced the character Ignatius Cheese in the game Escape from Monkey Island. Sheppard voiced over for the character John Adams in the Wii game The Conduit. On 4 August 2010, Sheppard was announced as the voice actor for the video game Civilization V.[4]
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Novels
11 … Average Guy with Fangs ( Tom McGovern)
12 … We All Float ( Tom McGovern)
13 … The Expanse—The Novels ( Bob Jennings)
15 … Dragon Award Finalist Warhammer ( Pat Patterson)
17 … Dragon Award Finalist: Minds of Men ( Pat Patterson)
18 … Dragon Award Finalist: Shoot the Messenger ( Pat Patterson)
20 … Review: Black Tide Rising ( Cedar Sanderson)
Short Fiction
21 … How Sere Looked for a Pair of Boots ( Greg Hullender and Eric Wong)
21 … The Book of Magic ( Greg Hullender and Eric Wong)
22 … Flint and Mirror ( Greg Hullender and Eric Wong)
23 … The Lady of Butterflies ( Greg Hullender and Eric Wong)
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Montreal developer had to act quickly when For Honor’s players jumped ship
Montreal Gazette JACOB SEREBRIN
For Honor had enormous success when it came out, but technical problems drove away 95 per cent of its users. The game’s creators managed to turn things around and win back millions of players. UBISOFT
How do you get your customers to give you a second chance after you’ve failed to live up to their expectations? That was the question Luc Duchaine, the brand manager for video game For Honor, had to answer.
The game, developed by Ubisoft Montreal, was released in mid-February 2017 to positive reviews. A fighting game in which players control knights, Vikings and samurai, it garnered interest from a large number of video-game fans. But that initial reaction quickly soured. “We had enormous success when it came out,” Duchaine said. “Then we started to have some technical problems.”
Most of the problems weren’t with the game itself, but with the systems it used to connect players with each other online. There were long waits for matches to start, connections would drop, and a number of other problems started to push players away.
Four months after the game came out, the number of people playing it had dropped by 95 per cent, according to GitHyp, a website that tracks game-related statistics. That was a big issue, because For Honor’s business model depends on people continuing to play — and continuing to pay — for years.
While a traditional video game is sold as essentially a single package, For Honor is part of a trend toward “games as a service,” in which new elements are regularly introduced and players can unlock features either through play or by paying real money. A traditional game is like a movie, Duchaine said, but For Honor is like a theme park. “Our goal is for them to come back to the amusement park over and over again,” he said. “We want them to have fun, to want to try the new ride — that is why there’s this constant idea of improving, changing, entertaining, so every time they come into our world, they have fun.”
But players weren’t having fun. If this was a theme park, it was one where the washrooms were leaking and the lineups were too long, Duchaine said. Ultimately, the game’s developers changed the way players connected to each other, replacing a peer-to-peer networking system with dedicated servers. But as the problems were being fixed, Duchaine needed to rebuild For Honor’s audience. Doing that, Duchaine said, was a step-by-step process of relationship-building.
It started by listening to the criticism — if the problems that people still had with the game were fixed, Duchaine said, he believed they would start telling others. “When people feel listened to, they become ambassadors — but you can also go from ambassadors to critics again, and we have to be careful,” he said.
Duchaine also worked to build relationships with people who had stuck with the game, flying some of the top players to Montreal to meet with the development team. “The point was to listen to them, to get their feedback,” he said. “For me, if we managed to turn things around, to go from a game where we had a lot of problems, it’s because we have this proximity with our players.” It’s a strategy that appears to have worked. In June 2018 — more than a year after the game came out — For Honor was nominated for best ongoing game at the E3 Game Critics Awards.
It now has more than 15-million registered players, according to Ubisoft. The relationship-building with fans continues, Duchaine said. The development team now does a weekly TV-style show that’s livestreamed on platforms like YouTube and Twitch. It’s a chance to “answer questions, present the new content, talk about the fixes,” he said.
Over the past year, Duchaine said, there have been around 40 updates to the game. While most are small, some add significant elements. The largest of those updates, released in October, introduced a new “faction” to the game, based on medieval China, with several new characters that players can control. (Players become members of a faction, fighting with players from other factions for “control” of the game world.) “Sometimes they’re smaller things, sometimes they’re bigger things, but it allows us to truly keep the game alive,” he said.
A big part of the weekly show is featuring the people who make the game — bringing them out from behind the scenes. Showing the faces of the game’s developers, Duchaine said, is just another part of building the relationship with players. “For me, when you create that bond with people, it’s one of the strongest things you can have,” he said. “I love the fact that when (people) play For Honor, they think about the people making it, and that bond really helped us too.”
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HISTORIC FIRST IMAGES OF ULTIMA THULE: Scientists from NASA’s New Horizons mission have released the first detailed images of Ultima Thule, the most distant object ever explored. Its remarkable appearance, consisting of two primitive spheres stuck together in the middle, is unlike anything we’ve seen before. Visit today’s edition of Spaceweather.com for photos and more information.
Above: Ultima Thule, photographed by New Horizons 30 minutes before the spacecraft’s closest approach on Jan. 1, 2019.
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The small, icy world known as Ultima Thule has finally been revealed.
A new picture returned from Nasa’s New Horizons spacecraft shows it to be two objects joined together – to give a look like a “snowman”.
The US probe’s images acquired as it approached Ultima hinted at the possibility of a double body, but the first detailed picture from Tuesday’s close flyby confirms it.
New Horizons encountered Ultima 6.5 billion km from Earth.
The event set a record for the most distant ever exploration of a Solar System object. The previous mark was also set by New Horizons when it flew past the dwarf planet Pluto in 2015.
NASA’s outward-bound explorer rings in the new year with the most distant flyby in space-exploration history.
Having visited Pluto and the small Kuiper Belt object 2014 MU69, NASA’s New Horizons spacecraft is headed out of the solar system. NASA / JHU-APL / SwRI
In the frigid, silent depths of the Kuiper Belt, the New Horizons spacecraft successfully flew past a tiny world nicknamed “Ultima Thule” (UL-ti-muh TOO-lee), meaning “beyond the known world,” in the first hours of 2019. (Its official designation is 2014 MU69.) The highly anticipated flyby, at 5:33 Universal Time today, came 3½ years after the spacecraft’s historic encounter with Pluto on July 14, 2015, and occurred some 4.1 billion miles (6.6 billion km) from Earth — the most distant object ever visited at close range.
Artistic portrayal of NASA’s New Horizons spacecraft cruising by 2014 MU69 on January 1, 2019. Steve Gribben / NASA / JHU-APL / SwRI
More than that, the observations from New Horizons’ seven experiments, now safely stashed on the craft’s solid-state recorders, promise to reveal secrets of the “Third Zone” of the Sun’s realm — distant objects that have remained frozen in time since the formation of our solar system’s formation 4½ billion years ago.
Confirmation of the flyby’s success didn’t reach the mission’s control center — Johns Hopkins University’s Applied Physics Laboratory (JHU-APL) in Laurel, Maryland — for 10 hours. That’s because the spacecraft remained out of contact as it scrutinized its target and because its telemetry now takes 6 hours to reach Earth. “We have a healthy spacecraft,” announced mission manager Alice Bowman.
Once this “phone home” status report reached the ground, hundreds of anxious mission scientists, news media, and others erupted with applause. “I can’t promise you success,” principal investigator Alan Stern had warned the day before. “We are straining the capabilities of this spacecraft.”
China lunar rover successfully touches down on far side of the moon
Beijing (CNN)In an historic first, China has successfully landed a rover on the far side of the moon, Chinese state media announced Thursday, a huge milestone for the nation as it attempts to position itself as a leading space power.
China’s National Space Administration (CNSA) landed the craft, officially named Chang’e 4, at 10:26 am Beijing time on Thursday, in the South Pole-Aitken Basin, the moon’s largest and oldest impact crater, China Central Television (CCTV) reported.
It made its final descent from an elliptical orbit 15 kilometers (9.3 miles) above the moon’s surface, making a “smooth” and “precise” landing, according to the general designer of Chang’e 4, Sun Zezhou, who added the probe pulled off a “bulls-eye.”
The first image of the moon’s far side taken after the Chang’e 4 probe landed.
State media reported the rover transmitted back the world’s first close range image of the far side of the moon. Six hours after touchdown, the rover will descend from the lander onto the moon’s surface, mission spokesman Yu Guobin told CCTV.
The far side of the moon is the hemisphere that never faces earth, due to the moon’s rotation. It is sometimes mistakenly referred to as the “dark side of the moon,” even though it receives just as much sunlight as its earth-facing side.
On Dec. 31, 2018, NASA’s OSIRIS-REx spacecraft went into orbit around asteroid Bennu for the first time.
At 2:43 p.m. EST on December 31, while many on Earth prepared to welcome the New Year, NASA’s OSIRIS-REx spacecraft, 70 million miles (110 million kilometers) away, carried out a single, eight-second burn of its thrusters – and broke a space exploration record. The spacecraft entered into orbit around the asteroid Bennu, and made Bennu the smallest object ever to be orbited by a spacecraft.
“The team continued our long string of successes by executing the orbit-insertion maneuver perfectly,” said Dante Lauretta, OSIRIS-REx principal investigator at the University of Arizona, Tucson. “With the navigation campaign coming to an end, we are looking forward to the scientific mapping and sample site selection phase of the mission.”
Lauretta, along with his team, spent the last day of 2018 with his feet planted on Earth, but his mind focused on space. “Entering orbit around Bennu is an amazing accomplishment that our team has been planning for years,” Lauretta said.
Inching around the asteroid at a snail’s pace, OSIRIS-REx’s first orbit marks a leap for humankind. Never before has a spacecraft from Earth circled so close to such a small space object – one with barely enough gravity to keep a vehicle in a stable orbit.
These dates are tentative, depending on factors such as hotel availability and scheduling conflicts with other events. Consult the website before leaving home.
Only the January meeting has been planned–and part of that is planning the rest of the meetings, so please attend and contribute!!
Can we open it now?
So, the dates of our meetings would be, assuming hotel is available:
Jan 19
Feb 9
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May 11
June 15, or Field Trip on the 8th (Grand Prix wkend)
July 20 ( Ad Astra 13th)
Aug 10 (parade on 11th, likely not to affect us)
Sept 14
Oct ????? There are events the 12th and the 19th, leaving only the 5th or 26 available.
Nov 9 Book Sale
Dec 7 (or 14th if major Bell Centre event on the 7th)
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