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From Leybl in Israel, CyberCozen, which has some interesting URL links to AI & robotics on the web, a Star Trek story, and an article about Isaac Azimov titled From Soviet to science fiction icon, the weird life of Isaac Asimov 100 years on. CCFebruary 2020-v01

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DYSTOPIAN SCI-FI MEETS SONGS OF QUEEN IN MUSICAL

We Will Rock You tells a futuristic tale not at all like the movie Bohemian Rhapsody

Kyle Gruninger plays Commander Khashoggi, right-hand man to Killer Queen, in We Will Rock You.

We Will Rock You is the story of a futuristic society that has wiped out individualism, but not the music of Queen. First produced in 2002, with a book by British writer Ben Elton (The Young Ones, Blackadder), the jukebox musical features many of the band’s classics (We Are the Champions, Somebody To Love, Bohemian Rhapsody) and even some deep cuts. This new Canadian production features a cast of 16 and a five-piece band. We talked to Lethbridge, Alta.’s Kyle Gruninger, who also sings with Vancouver-based rock group Incura, about the show.

Q We Will Rock You opened in Winnipeg before going down to the U.S. Has the reception been different?

A Every single city is so different in reactions, depending on the jokes. The great part is the reaction to the music. That’s what most people are there to see. But when I tell a corny joke or whatever it depends on the audience.

Q Is there one song that gets the biggest reaction?

A The first time any Queen songs start, people have a huge reaction. But we all know that the biggest Queen song in the world is Bohemian Rhapsody. So that one gets the party going.

Q Musical director Stuart Morley wrote a new score for this production, is that right?

A He “re- Queened” it, as he puts it. He rearranged the harmonies in each song. He would go to (Queen guitarist) Brian May and say, “This is what I think the harmony is.” And Brian would be like, “Oh, I don’t know if that’s it.” “Well Brian, that’s what you played on the recording I’ve been listening to.” “Oh. I guess I did.” Because there are so many different versions of things. Stuart was listening to raw takes of Freddy. So we are the first cast to do this show with this score.

Q Do people come expecting a story about Queen, à la the movie Bohemian Rhapsody? Or do they know it’s a futuristic tale with the music of Queen?

A There are a few people who come in knowing exactly what they’re getting into. They know the musical, maybe they’re fans of it, they’ve seen it five or six times. Then there’s a group of people who love Queen music, they just want to see anything

Queen. They have no idea what they’re getting into.

Q Do the shows draw a big cross-section of people?

A That’s my favourite part, looking out and seeing 10-yearold kids with their Queen shirt beside their dad with his 1977 Queen tour T-shirt that barely fits anymore, and they both have their hands in the air, givin’ it. That’s an amazing, amazing feeling every night.

Q Who is your character, and how many songs do you sing?

A My character, Commander Khashoggi, is Killer Queen’s lead henchman and right-hand man. We are trying to stop real music from coming back. We’re trying to stop the Bohemians (a rebel group) from finding the real musical instruments and the dreamer. Throughout, I’m capturing and torturing Bohemians. I sing a duet with Killer Queen, A Kind of Magic, and in the second act I do what is kind of a B-side, Seven Seas of Rhye.

Q And there’s a live band, is that right?

A Yes. They’re part of the show. By the end, the screen is down, and they get to play Tie Your Mother Down as we try to kill Killer Queen. It gets intense.

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How Carrie Fisher was brought back for Rise of Skywalker

https://www.bbc.com/news/av/technology-51393468/rise-of-skywalker-how-we-brought-carrie-fisher-back

Rise of Skywalker: How we brought Carrie Fisher back

Actress Carrie Fisher, who was best known for her role as Princess Leia in the Star Wars series, died in 2016.

She recently appeared in the 2019 film Rise of Skywalker, but how was this possible?

BBC Click speaks to the visual effects supervisor, Roger Guyett and animation supervisor, Paul Kavanagh of ILM to find out more.

See more at Click’s website and @BBCClick

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HIGH-ALTITUDE BALLOON PHOTOS OF STRATOSPHERIC CLOUDS

Read the fine print in the upper right of the photo. It’s worth a chuckle. –CPL

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Last month, Spaceweather.com traveled with students to the Arctic Circle to launch a series of cosmic ray balloons into the polar stratosphere. During the trip something lucky happened. Rare polar stratospheric clouds appeared over the launch site. Cameras on two hurriedly-released balloons recorded the clouds from altitudes as high as 75,000 feet, revealing structures previously unseen from the ground. See the video on Spaceweather.com.

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Above: Polar stratospheric clouds–the view from 75,000 feet. Credit: Earth to Sky Calculus and Spaceweather.com

Operating 4 cameras, the two balloon payloads photographed the clouds from altitudes as high as 75,000 feet. We believe this is the first time polar stratospheric clouds have been photographed by a high-altitude balloon from their own habitat–the stratosphere. The footage reveals beautiful filamentary structures previously unseen from the ground.

How did we get so lucky? We had some help from the polar stratospheric vortex.

The polar stratospheric vortex is a jet stream in the Arctic stratosphere. This winter it has been very strong, bottling up cold air and preventing it from spilling to lower latitudes. Just before we launched on Jan. 22nd, something unexpected happened to the polar vortex. It became elliptical and rotated around, sloshing a mass of super-cold stratospheric air over northern Scandinavia.

This is what the vortex looked like on Jan. 22-23, according to NASA’s Microwave Limb Sounder (MLS):

Note the purple blob over northern Sweden. That’s the cold air. PSCs can form inside the white contours. This animation of MLS data created by Lynn Harvey of the University of Colorado’s Laboratory for Atmospheric and Space Physics shows how the vortex evolved during our time in Sweden.

Type 2 polar stratospheric clouds are widely regarded as the most beautiful clouds on Earth. They are made of tiny ice crystals that diffract high-altitude sunlight, glowing with colors so vivid that some people mistake them for “daytime auroras.” Earth to Sky student Jordan Herbst’s photos of the Jan. 22-23 outbreak show how they look from the ground.  Now we know they’re beautiful from the stratosphere, too.

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What if AI becomes smarter than we are?

All bets are off if AI becomes smarter than people, develops ability to design machines

Task of imposing ethics and restraints on tech is greater now, writes Diane Francis.

GETTY IMAGES FILES Robust ethical and legal frameworks are needed to prevent the next pandemic or hazardous algorithm, Diane Francis warns.

Technology is bestowing wonderful opportunities and benefits to the world, but the acceleration of development, and lack of global regulatory control, represents the biggest threat going forward.

Cool toys, fancy devices and health-care cures are positive developments.

But less benign will be the development, without guard rails, of artificial intelligence that matches human capability by 2029. Worse yet, this will be followed by the spectre of what’s known as General AI — machines capable of designing machines.

Another worrisome field is synthetic biology, genetic engineering and the propagation of androids or AIS on two legs with personalities.

Mankind has faced similar technological challenges, notably nuclear weapons, but famous physicist Robert Oppenheimer rose to the challenge.

He ran the Manhattan Project to develop the atomic bomb, realized its danger, then spent decades lobbying leaders to create the Nuclear Non-proliferation Treaty, the cornerstone of nuclear control, which took effect in 1970.

Oppenheimer is the only reason why humanity didn’t blow itself to bits, but today there is no scientist of the stature of Oppenheimer to devote his life to ensuring governments bridle the transformative technologies under development now.

And the threat is greater. Bombs, after all, are controlled by human beings, not the other way around. But if AI becomes smarter than humans, then all bets are off.

The task of imposing ethics and restraints on science, technology and engineering is greater now.

Nuclear capability requires massive amounts of scarce materials, capital and infrastructure, all of which can be detected or impeded.

But when it comes to exponential tech, simply organizing governments or big corporations won’t do the trick because the internet has distributed knowledge and research capability across the globe.

This means the next pandemic or hazardous algorithm or immoral human biological experimentation can be conducted in a proverbial “garage” or in a rogue state.

The late, legendary physicist Stephen Hawking warned in 2017: “Success in creating effective AI could be the biggest event in the history of our civilization. Or the worst.

We just don’t know. So, we cannot know if we will be infinitely helped by AI, or ignored by it and sidelined, or conceivably destroyed by it.”

Tesla founder Elon Musk and others have been vocal about this risk, but international action is needed.

To date, these fears and ethical constraints have only been addressed in petitions and open letters signed by important scientists but these have not captured global attention, nor have they provoked a political movement.

In 1975, the Asilomar Conference on Recombinant DNA led to guidelines about bio-safety that included a halt to experiments that combined DNA from different organisms.

Then, in 2015, an open letter concerning the convergence of AI with nuclear weapons was signed by more than 1,000 luminaries, including Apple co-founder Steve Wozniak, Hawking and Musk.

They called for a ban on AI warfare and autonomous weapons, and eventually led to a United Nations initiative.

But four years later, the UN Secretary General was still urging all member nations to agree to the ban.

Only 125 had signed. Without robust ethical and legal frameworks, there will be proliferation and lapses. In November 2018, for instance, a rogue Chinese geneticist, He Jiankui, broke long-standing biotech guidelines among scientists and altered the embryonic genes of twin girls to protect them from the HIV virus.

He was fired from his research job in China, because he had intentionally dodged oversight committees and used potentially unsafe techniques.

Since then, he has disappeared from public view.

There’s little question that, as U.S. entrepreneur and engineer Peter Diamandis has said, “we live in extraordinary times.”

There is also much reason for optimism. But for pessimism, too.

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2019 Locus Recommended Reading List

I’m not sure why Prisoner of Midnight is listed under horror–There is a vampire, maybe two in this particular story, but hardly horror. I don’t read horror, but I really like Hambly’s Asher series.

I’ve only read one book in the SF list–Stealing Worlds, which I enjoyed very much even though I am not a gamer. In the fantasy list, I recommend The Starless Sea–don’t expect a thrilling plot, this is a book about books and the people who read them and dream. It’s about stories, and how they change, and also how they change us.  –CPL

2019 Locus Recommended Reading List

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Welcome to the annual Locus Recommended Reading List!

Published in Locus magazine’s February 2020 issue, the list is a consensus by the Locus editors, columnists, outside reviewers, and other professionals and critics of genre fiction and non-fiction — editor-in-chief Liza Groen Trombi; reviews editor Jonathan Strahan; reviewers Liz Bourke, Katharine Coldiron, Carolyn Cushman, Paul Di Filippo, Amy Goldschlager, Paula Guran, Rich Horton, John Langan, Russell Letson, Adrienne Martini, Ian Mond, Colleen Mondor, Tim Pratt, Tom Whitmore, Gary K. Wolfe, and Alvaro Zinos-Amaro; Bob Blough; online editor Mark R. Kelly; critics Paul Kincaid, Cheryl Morgan, and Graham Sleight. The YA group wrapped in assistant editor Laurel Amberdine, Gwenda Bond, Dhonielle Clayton, Justine Larbalestier, and Mark Oshiro. Art books had help from Arnie Fenner, Karen Haber, and design editor Francesca Myman. Short fiction recommenders included editors and reviewers John Joseph Adams, Rachel S. Cordasco, Ellen Datlow, John DeNardo, Maria Haskins, Charles Payseur, Sean Wallace, and Alison Wise, plus our own reviewers. Locus thanks all involved for their time and their expertise. Essays by many of these contributors, highlighting and discussing their particular favorite books and stories, are also published in the February issue, along with the Magazine Summary and Book Summary for 2019.

We considered over a thousand titles between short and long fiction. The final list comprises our best recommendations for your consideration. There will be titles you loved that do not appear here; it happens every year. Any one of the recommending group would have built a different list, but this is the aggregate, compiled with great affection for the field.

You can let us know what your favorites were by voting in the 2020 Poll & Survey, live now! The Poll decides the winners of the Locus Awards, presented in June 2020 at the Locus Awards Weekend in Seattle, and is open to all to vote on.

NOVELS – SCIENCE FICTION

NOVELS – FANTASY

NOVELS – HORROR

YOUNG ADULT NOVELS

FIRST NOVELS

COLLECTIONS

ANTHOLOGIES

ORIGINAL

REPRINTS/BESTS

NON-FICTION

ILLUSTRATED AND ART BOOKS

NOVELLAS

NOVELETTES

SHORT STORIES

This list appears in the February 2020 issue of Locus. Thank you for reporting any typos or broken links to locus@locusmag.com. Vote now for your favorites at the Locus Poll & Survey!

*edited from the print list (moved from Short Stories to Novelettes)

Books due for release this month

From Locus Magazine

Books due for release this month MAR 2020

  • MARK ALDER • Devil’s Blade • Orion/Gollancz, Mar 2020 (eb, tp)
  • ANNE BISHOP • The Queen’s Bargain • Ace, Mar 2020 (hc, eb)
  • JAMES P. BLAYLOCK • The Gobblin’ Society • Subterranean Press, Mar 2020 (na, hc, eb)
  • PATRICIA BRIGGS • Smoke Bitten • Ace, Mar 2020 (hc, eb)
  • CASSANDRA CLARE • Chain of Gold • Simon & Schuster/McElderry, Mar 2020 (ya, h, hc, eb)
  • DANIEL A. COHEN • Coldmyth • Harper Voyager, Mar 2020 (tp)
  • MYKE COLE • Sixteenth Watch • Angry Robot, Mar 2020 (eb, tp)
  • DAVID DALGLISH • Ravencaller • Little, Brown UK/Orbit, Mar 2020 (tp)
  • KATHLEEN O’NEAL GEAR • Cries from the Lost Island • DAW, Mar 2020 (hc, eb)
  • TERRY GOODKIND • Into Darkness • Head of Zeus, Mar 2020 (na, hc)
  • ALEX IRVINE • Anthropocene Rag • Tor.com Publishing, Mar 2020 (na, tp, eb)
  • N.K. JEMISIN • The City We Became • Orbit US, Mar 2020 (hc, eb)
  • N.K. JEMISIN • The City We Became • Little, Brown UK/Orbit, Mar 2020 (hc)
  • JULIE KAGAWA • Night of the Dragon • Harlequin/Inkyard Press, Mar 2020 (ya, hc, eb)
  • ALMA KATSU • The Deep • Penguin Random House/Putnam, Mar 2020 (h, hc, eb)
  • ALMA KATSU • The Deep • Transworld/Bantam Press UK, Mar 2020 (h, tp, eb, hc)
  • NANCY KRESS • Sea Change • Tachyon Publications, Mar 2020 (na, tp, eb)
  • JEFFREY ALAN LOVE • The Mountain of Smoke • Flesk Publications, Mar 2020 (pi, art, hc)
  • SARAH J. MAAS • House of Earth and Blood • Bloomsbury, Mar 2020 (hc)
  • PAUL McAULEY • War of the Maps • Orion/Gollancz, Mar 2020 (eb, tp)
  • TIM POWERS • Forced Perspectives • Charnel House, Mar 2020 (hc)
  • TIM POWERS • Forced Perspectives • Baen, Mar 2020 (hc, eb)
  • JONATHAN STRAHAN, ED. • Made to Order: Robots and Revolutions • Rebellion/Solaris US, Mar 2020 (oa, tp, eb)
  • JONATHAN STRAHAN, ed. • Made to Order: Robots and Revolution • Rebellion/Solaris, Mar 2020 (tp)
  • K.M. SZPARA • Docile • Tor.com Publishing, Mar 2020 (hc, eb)
  • LAVIE TIDHAR • By Force Alone • Head of Zeus, Mar 2020 (hc)
  • LIZ WILLIAMS • Comet Weather • NewCon Press, Mar 2020 (hc, eb, tp)

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Books due for release this month

From Locus Magazine

Books due for release this month FEB 2020

  • BEN AARONOVITCH • False Value • DAW, Feb 2020 (hc, eb)
  • BEN AARONOVITCH • False Value • Orion/Gollancz, Feb 2020 (eb, hc)
  • LIBBA BRAY • The King of Crows • Little, Brown, Feb 2020 (ya, hc, eb)
  • LIBBA BRAY • The King of Crows • Little, Brown UK/Atom, Feb 2020 (tp)
  • RACHEL CAINE & ANN AGUIRRE • Honor Lost • HarperCollins/Tegen Books, Feb 2020 (ya, hc, eb)
  • ROSHANI CHOKSHI • The Silvered Serpents • St. Martin’s/Wednesday Books, Feb 2020 (ya, hc, eb)
  • NINO CIPRI • Finna • Tor.com Publishing, Feb 2020 (tp, eb)
  • SERGEY DYACHENKO & MARINA DYACHENKO • Daughter from the Dark • Harper Voyager US, Feb 2020 (hc, eb)
  • SARAH GAILEY • Upright Women Wanted • Tor.com Publishing, Feb 2020 (na, hc, eb)
  • CATE GLASS • A Conjuring of Assassins • Tor, Feb 2020 (tp, eb)
  • KEVIN HEARNE • A Blight of Blackwings • Penguin Random House/Del Rey, Feb 2020 (hc, eb)
  • KEVIN HEARNE • A Blight of Blackwings • Little, Brown UK/Orbit, Feb 2020 (tp)
  • JUSTINA IRELAND • Deathless Divide • HarperCollins/Balzer + Bray, Feb 2020 (ya, h, hc, eb)
  • KATHARINE KERR • Sword of Fire • DAW, Feb 2020 (hc, eb)
  • KATHARINE KERR • Sword of Fire • Harper Voyager, Feb 2020 (hc)
  • KEN LIU • The Hidden Girl and Other Stories • Simon & Schuster/Saga Press, Feb 2020 (c, hc, eb)
  • MARSHALL RYAN MARESCA • The Fenmere Job • DAW, Feb 2020 (pb, eb)
  • SEANAN MCGUIRE • Imaginary Numbers • DAW, Feb 2020 (pb, eb)
  • SARAH PINBOROUGH • Dead to Her • HarperCollins UK, Feb 2020 (a, hc)
  • C.L. POLK • Stormsong • Tor.com Publishing, Feb 2020 (tp, eb)
  • MARIA TURTSCHANINOFF • Red Mantle • Abrams/Amulet, Feb 2020 (1st US, ya, hc, eb)
  • CARRIE VAUGHN • The Immortal Conquistador • Tachyon Publications, Feb 2020 (c, tp, eb)
  • JULIETTE WADE • Mazes of Power • DAW, Feb 2020 (hc, eb)

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