Monthly Archives: September 2020

Stop Motion

Festival Stop Motion Montréal : Lauréats et bilan

Lauréats et bilan d’une 12eédition sur canapé mémorable!

Le Festival Stop Motion Montréal a conclu sa 12e édition qui s’est déroulée entièrement en ligne du 14 au 20 septembre dernier. La cérémonie de clôture a eu lieu le dimanche 20 septembre en direct sur Facebook et a permis de rencontrer et de célébrer virtuellement les cinéastes récompensés, dispersés sur plusieurs continents. Le jury formé de professionnels de l’industrie du cinéma était composé de Maral Mohammadian, productrice à l’Office national du film du Canada, de Bren López Zepeda, animatrice et cinéaste indépendante montréalaise et d’Aaron Wood, cofondateur et producteur aux Studios Slurpy à Londres.

 

 

 

 

 

 

 

 
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Le jury a également désiré remettre des mentions spéciales pour chacune des catégories

Une édition en ligne abondante

Le Festival s’est associé à la plateforme de diffusion canadienne VUCAVU pour rendre disponibles au public du monde entier 90 courts métrages en provenance de 30 pays et 3 classes de maîtres. Nous remercions nos invités spéciaux Vanessa Loubineau, Jean-François Lévesque et Justin Rasch pour s’être joint à nous et  pour leurs généreuses et détaillées présentations. Grâce au format webinair en direct, ils nous ont offert des conférences d’une durée de deux heures, voir même trois au grand plaisir de nos spectateurs friants de conseils de la part de professionnels.

7 jours complets d’activités en ligne ont été organisés plutôt que les 3 jours habituels des éditions en présentiel. Au total, 11 programmes de courts métrages ont été proposés, dont 9 en compétition et 2 programmes thématiques soit un programme québécois et une sélection de films écossais.

Deux ateliers techniques d’animation ont été prodigués via Zoom par des professionnels de renom soit par Dale Hayward et Sylvie Trouvé de L’académie See Lean à Montréal et la Française Julia Peguet qui a dirigé son atelier depuis la Slovénie. Ces ateliers ont attiré des participants de l’Inde, des États-Unis, d’Allemagne, de France, de Colombie, de Montréal et de Hongrie.

Le Festival Stop Motion Montréal a aussi offert de nombreuses activités gratuites sur les réseaux sociaux: 19 entrevues avec des réalisateurs de la compétition, une table ronde avec le jury 2020, un brunch avec l’équipe du film «Moi, Barnabé» (ONF) de Jean-François Lévesque, une visite virtuelle du studio d’Alicia Eisen à Vancouver ainsi que des festivités d’ouverture et de clôture.

Ces événements offerts en direct ou en séance de visionnement en groupe ont permis de garder les spectateurs connectés et engagés tout au long de la semaine. Toutes ces activités gratuites demeurent d’ailleurs disponibles sur la page Facebook du Festival.

Un défi relevé et un Festival en croissance

Le Festival a doublé ses ventes de laissez-passer VIP par rapport à 2019 et c’est plus de 400 000 comptes sur les réseaux qui ont été rejoints au cours de cette édition virtuelle. Des participants d’Amérique du Nord, d’Amérique du Sud, d’Europe, d’Afrique et d’Asie se sont joints toute la semaine aux activités. Le défi lié à la crise sanitaire a donc été relevé: le Festival a maintenu son mandat de diffusion tout en élargissant sa portée. Cette édition en ligne façonnera fort probablement les années futures de l’événement, le Festival amorçant d’ores et déjà une réflexion à propos d’éditions hybrides qui pourraient répondre à la fois aux besoins des artistes et professionnels locaux et de sa communauté internationale.

Stop Motion

Stop Motion Festival : Winners and recap

Winners and recap of a memorable 12th Home Sweet Home Edition

It’s a wrap for Festival Stop Motion Montreal’s 12th edition and first-ever virtual edition, which ran completely online this past September 14-20. In a live-streamed closing ceremony held Sunday, September 20, the Festival team and jury members assembled to announce this year award winners and, thanks to the virtual format, had some of the filmmakers join in to accept their awards from wherever they were across the globe. The jury, made up of industry professionals, was composed of Maral Mohammadian; producer at the National Film Board of Canada, Bren López Zepeda; Montreal animator and independent filmmaker and Aaron Wood; co-founder and producer at London’s Slurpy Studios.

An abundant online edition

The Festival partnered with Canadian broadcast platform VUCAVU to bring 90 short films from 30 different countries and 3 special guest masterclass conferences online and available to the public worldwide this year, in efforts to provide a safe Festival experience to all during these unprecedented pandemic times. We would like to thank our wonderful special guests; Vanessa Loubineau, Jean-François Lévesque and Justin Rasch for joining us and participating in this novel virtual edition, and for being so generous with their time, technical expertise and thoughtful advice. Thanks to the online format, and to meet the demands of our lovely and eager audience members, our masterclasses were extended to 2-hour and 3-hour sessions which could have easily gone on even longer! We hope that all audience members enjoyed the opportunity to ask their questions and got as much knowledge and amazement out of the conferences as our Festival team did.

The Festival was extended to a full 7-day experience, as compared to past physical editions which took place over 3 days. A total of 11 different film screening programs were offered, which included 9 in competition and 2 thematic programs with one highlighting local talent in a Quebec films retrospective and another with a selection of Scottish films from the Edinburgh Short Film Festival.

Two separate technical skills animation workshops were led by renowned industry leaders; Julia Peguet and See Learn Academy’s Dale Hayward and Sylvie Trouvé, which attracted all levels of participants from India, the United States, Germany, France, Colombia, Montreal, and Hungary.

The Festival offered a slew of free activities throughout the week on their social networks in a conscious effort to keep viewers connected and engaged which included a multitude of interactive Watch Parties and Live Streams.
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Among the offerings was a virtual studio tour with Vancouver-based Alicia Eisen, 19 different meetings with the filmmakers from the competition programs, a Fireside Chat with the 2020 Jury Members and a Cozy Brunch Conversation with Jean-François Lévesque and the crew members of I, Barnabé (NFB).

VIP Pass holders were given access to a private Networking Pod, allowing festival goers to interact and network with one another, ask questions in a safe environment, offer film and masterclass reviews, job opportunities and more! The Opening and Closing Ceremonies were also live-streamed with the addition of an Official 2020 Festival Cake Bake Along, with all of these free activities remaining up on the Festival’s Facebook page to watch at your own leisure.  

A challenge accepted and overachieved; the future is bright for this growing Festival 

The Festival doubled its VIP pass sales compared to its previous edition, having had participants tune in from almost every continent and reached over 400,000 accounts on their growing social media networks.

The pandemic challenge was met and surpassed, leaving the Festival team proud in having maintained its mandate in making stop motion animation discoverable and accessible to all, in providing a platform for the artists and their works to shine, and in stimulating the local and international stop motion industry.

The successful reception of this online edition has certainly shaped the future of the Festival which will continue to develop and broaden its reach. Upcoming hybrid editions are being considered in order to meet the diverse needs of its local and international stop motion communities.

 

 

Corona meetings from home

October 17 Virtual Meeting

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Prize Winners announced

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Astronomy News

Hint of possible life in clouds of Venus

Being fans of science fiction, you have probably already heard about the report that there are signs of possible life forms in the clouds of Venus. Don’t get excited, it’s a bit of a stretch, and the lifeforms–if they exist–are likely microbial.

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Here’s a good one:  https://www.bbc.com/news/science-environment-54133538

Astronomy News

GREEN CLOUDS OVER SCANDINAVIA

Space Weather News for Sept. 14, 2020
https://spaceweather.com
https://www.spaceweatheralerts.com

GREEN CLOUDS OVER SCANDINAVIA: Autumn is coming to the Arctic. We know because, last night, the clouds turned green. An outburst of auroras was so bright, it filled rainclouds with a green geomagnetic glow. Multiple observers saw the phenomenon in Sweden and Norway. The display was caused by a crack in Earth’s magnetic field, a type of fracture that forms most often during weeks around equinoxes. Get the full story at Spaceweather.com.
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Above: A Lights over Lapland webcam recorded green clouds over Abisko, Sweden, on Sept. 13, 2020.

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Films Fantastic 11