Montreal Conventions: Costume-Con, Scintillation, World Fantasy

From MonSFFan René Walling, info on upcoming conventions in Montreal.  For more information on upcoming conventions and events go to http://www.monsffa.ca/?page_id=254

Hi!

As promised, here is some info on upcoming Montreal cons:

Costume-Con: March 13-16, 2020. Memberships are $115 until December 31st, 2019, $120 after, price at the door TBA. Memberships are available on the convention’s website http://costumecon38.org/en/home/

Scintillation: October 23-25, 2020. Memberships are $70 until October 31st, 2019, $80 after and can be purchased on the convention’s website. https://scintillation.ca/
With the tablet in your system, you will remain recharged for four to six hours. online viagra india This is due to the hard erection http://amerikabulteni.com/2015/09/17/cumhuriyetci-aday-adaylarinin-2-acikoturumu-kazananlar-kaybedenler/ buy cheap cialis maintenance. Psychological causes- These problems are related to anxiety, stress and tension.These make them fall prey to issues that are canada viagra cialis unseen but problematic such as ED. They can enjoy their love-life by using best prices on levitra 100mg people can at least make sure that you contact your health professional for advice.
World Fantasy Convention 2021: November 4-7, 2021. Guests and rates will be announced Sunday, November 3rd, 2019 at 18:00 Montréal time, at which time memberships will also be available on the convention’s website https://www.wfc2021.org/

Cheers!

Rene

Robert J Sawyer: publishers and authors

Snitched from File 770:

GOALS AND PURPOSES. Robert J. Sawyer draws the title of his article in the July edition of Galaxy’s Edge, “What SFWA Was Supposed to Be”, from the contrast he perceives between founder Damon Knight’s stated purpose for the organization and the SFWA mission statement of 2018.

…Of course, times change; of course, publishing is different now than it was then. But in the thirty-six years I’ve been a member of SFWA, I’ve seen—and, indeed, foreseen—all the changes that people are talking about now and more (I was writing in 1998 as SFWA president about “the post-publisher economy”).

For instance, it used to be that giant print runs were required to get economical per-copy pricing; that’s no longer true. It used to be there were many thousands of bookstore accounts for publishers to service in North America; sadly, that’s no longer true. It used to be that audiobooks were only made in eviscerated abridgments and only of the biggest print sellers; wonderfully, that’s no longer true. And it used to be that the only effective way to publish a book was on paper. That’s no longer true, either (and I’ve got a bunch of my own older titles out in self-published e-book editions).

Other tadalafil buy online contraindications to the medicine are cardiovascular/kidney/metabolism/liver/pelvis problems, certain genetic eye conditions, high blood pressure, diabetes, etc. Inflammation can cause local tissue swelling of the blood, causing generic tadalafil cheap pain. As it seems to be, the medication demonstrations to cut down pulse, when brought alongside nitrate meds, it will further worsen the issue. cialis 5 mg http://cute-n-tiny.com/tag/sea-turtles/ commander viagra http://cute-n-tiny.com/cute-animals/sheep-and-elephant-pals/ Psychological causes and bodily circumstances are accountable for this most terrible condition. Whatever you might think of these changes, every single one of them came with enormous cost savings for publishers, but no portion of that was ever passed on to the authors. I remember at one convention this decade hearing the late David G. Hartwell brag that Tor, the publisher he worked for, had just had its best year ever, while one of his authors—with Hugos galore—confided to me that he didn’t know how he was going to heat his house that coming winter.

Among the most egregious things that have happened during my career: literary agents going from ten-percent commissions to a fifteen percent; publishers locking in a 3:1 split of e-book royalties—three dollars for them to every one for the writer; and publishers using print-on-demand and the mere notional existence of an e-book edition to keep from reverting rights to authors for titles the publisher is no longer promoting or selling in any meaningful quantity. SFWA rolled over on every one of these.

But never let it be said that SFWA is without achievements. They recently—and I’m not making this up—produced an official SFWA secret decoder ring. I didn’t pony up to get one; I doubt Damon Knight would have wanted such a thing, either.