Tag Archives: WorldCon

Stranger than science fiction: Inside China’s newest landmark

The Chendu SF museum was commissioned in 2022 to host this year’s 81st annual World Science Fiction Convention, nicknamed Worldcon. A building of this size and complexity would typically take four to five years to build, says Flores. But the 59,000 square-meter building — which is three times the size of the Sydney Opera House — went from concept to completion in just 12 months.

https://www.cnn.com/2023/10/30/style/chengdu-science-fiction-museum-hnk-spc-intl/index.html

 

CNN  — 

The seven-point metallic star floats on the glassy surface of the lake, reminiscent of a far-flung future civilization, or a spaceship touching down on an alien planet. It looks like something straight out of science fiction. Which it is, in a way: it’s the brand new Chengdu Science Fiction Museum in the capital of Sichuan province in Southwest China.

From one side, the dynamic roof mimics the sloping mountains in the distance; from another, the canopy takes on the appearance of a cloud, its cantilever arches suspended above seamless panes of glass.

“From every angle, it will always look different; it will always look unusual or unexpected,” said Paulo Flores, one of the project directors at Zaha Hadid Architects, which designed the museum.

Perhaps more unexpected than the design itself is the time it took to build.

The museum was commissioned in 2022 to host this year’s 81st annual World Science Fiction Convention, nicknamed Worldcon. A building of this size and complexity would typically take four to five years to build, says Flores. But the 59,000 square-meter building — which is three times the size of the Sydney Opera House — went from concept to completion in just 12 months.

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Worldcon Bid Lineup Changes

Worldcon Bid Lineup Changes

Bidding to host the World Science Fiction Convention is a process which takes years of effort, which makes it unavoidable that plans will change and bids will occasionally be abandoned altogether. The current pandemic has helped to accelerate the churn. After multiple recent changes, this is how the lineup looks:

The only bid for 2024 remains Glasgow, UK, although recent moves toward another independence referendum have some asking whether it will still be in the UK by then. The current proposed date for the referendum is October 19, 2023 (subject to approval by the UK’s top court), making it unlikely that Scotland would be able to disentangle itself by the planned Worldcon in August 2024 even if the referendum is held and passes.

The only currently active bid for 2025 is Seattle, Washington, USA. A competing bid for Brisbane, Australia went silent last year and is widely believed to be aiming at 2028 now, though its website and Twitter feed still say 2025.

For 2026, a bid for Nice, France has dropped out and one for Jeddah, Saudi Arabia has retooled to bid for Cairo, Egypt instead (no website or social media available yet). It has now been joined by a new bid for Los Angeles, California, USA.

The lone contender for 2027 at this time is Tel Aviv, Israel.

In 2028, the rumored bid for Brisbane is joined by a confirmed one for Kampala, Uganda. If successful, it would mark the first Worldcon in sub-Saharan Africa­ in fact, if not for the sudden switch from Jeddah to Cairo for 2026, it would have been the first announced bid for a Worldcon anywhere in Africa.

2029 is occupied only by a marker for a return to Dublin, Ireland, the site of the 2019 Worldcon.

 

2019 Hugo Awards

The winners of the 2019 Hugo Awards were presented August 18 at a ceremony in Dublin, Ireland.

Hugo Administrator Nicholas Whyte reported there were 3,097 total votes cast (3,089 online, 8 paper ballots). The voting statistics are online here [PDF file].

Best Novel

  • The Calculating Stars, by Mary Robinette Kowal (Tor)

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Best Novella

  • Artificial Condition, by Martha Wells (Tor.com Publishing)

Best Novelette

  • “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)

Best Short Story

  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series

  • Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work

  • Archive of Our Own, a project of the Organization for Transformative Works

Best Graphic Story

  • Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)

Best Dramatic Presentation, Long Form

  • Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form

  • The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC) 

Best Professional Editor, Short Form

  • Gardner Dozois

Best Professional Editor, Long Form

  • Navah Wolfe

Best Professional Artist

  • Charles Vess 

Best Semiprozine

  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

  • Lady Business, editors Ira, Jodie, KJ, Renay & Susan

Best Fancast

  • Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders

Best Fan Writer

  • Foz Meadows

Best Fan Artist

  • Likhain (Mia Sereno)

Best Art Book

  • The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)

John W. Campbell Award for Best New Writer

  • Jeannette Ng (2nd year of eligibility)

Lodestar Award for Best Young Adult Book

  • Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)

Montreal Science Fiction and Fantasy Association